Event

The Painter’s Fire: A Forgotten History of the Artists Who Championed the American Revolution

Wednesday, July 23, 2025 6:00 PM - 7:00 PM EST
Hybrid / NOTE: times are shown in EST

Annual Jack Grinold Lecture in American Art and Architecture
Dr. Zara Anishanslin, University of Delaware

This is a hybrid event. FREE for MHS Members. $10 per person fee (in person). No charge for virtual attendees or Card to Culture participants (EBT, WIC, and ConnectorCare). The in-person reception starts at 5:30 and the program will begin 6:00 PM. 

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The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. Join us, as Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence.

This program is part of the annual Jack Grinold Lecture in American Art and Architecture. This lecture series is made possible by the generous gifts of John P. and Catherine M. Grinold.

Hybrid Event. The in-person reception starts at 5:30 and the program will begin 6:00 PM. If you have questions about in-person attendance, please contact Olivia Sayah at 617-646-0580, or osayah@masshist.org. The virtual program will be on the streaming platform YouTube and begins at 6:00 PM. Registrants will receive a confirmation message with attendance information.

By registering you are agreeing to abide by the MHS Visitor Code of Conduct

Upcoming Events

Social Reform and Identity Formation in the 17th Century - A Panel Discussion
Social Reform and Identity Formation in the 17th Century - A Panel Discussion
Hybrid / NOTE: times are shown in EST
Tuesday, April 1, 2025 5:00 PM - 6:15 PM EST
This panel investigates forms of social control in 17th century New England. Arthur George Kamya’s paper examines the regulation of distilled liquor in 17th century Massachusetts Bay Colony, exploring how authorities navigated competing moral, economic, and security imperatives. Initially targeting a cross-section of colonists, liquor laws evolved to focus on servants, Native Americans, and eventually African Americans. The colony's approach shifted from moral censure to pragmatic revenue generation, with officials using fines and licenses to fund government operations. Kamya’s study illuminates how alcohol regulation became a tool of social control, state-building, and the construction of racial hierarchies in colonial New England, offering insights into the complex interplay between commerce, governance, and identity formation in early America. As discussed in Alice King’s work, Connecticut adopted a notable strategy towards certain Indigenous populations during the initial decades of settlement, attempting to control and exploit Native communities by turning them into colonial tributaries who would provide essential supplies, wampum, and military aid. King’s paper considers the evolution of tributary politics at the end of the seventeenth century after the Dominion of New England and Glorious Revolution had destabilized colonial authority and left colonists vulnerable to attack by French and Native forces, including the Wabanaki Confederacy during King William’s War, 1689-1697, when Connecticut leaders sought to raise soldiers for New England’s defense from these historic tributary communities.
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