Diary of John Quincy Adams, volume 2

26th. JQA

1786-08-26

26th. Adams, John Quincy
26th.

Rainy weather all day. I had a number of the Class at my Chamber in the Afternoon. Immediately after Prayers we had a Class meeting for the Purpose of choosing a Valedictory Orator, and Collectors of Theses.1 Eaton was moderator. A motion was carried that a majority of the votes of Class should be necessary for an Election. When the votes were collected it was found there was no choice. There were five votes, for Jackson, the last Person, that would have been suspected of obtaining any. A second attempt was made, equally fruitless. Jackson had ten Votes. It was then resolved, that the choice of an Orator should be deferred; and that the Class should proceed to that of the Collectors. The one for Technology, Grammar, and Rhetoric was first ballotted. Waldo, had 20 Votes; but as a majority of all the Votes was required there was no Choice. It was voted then, that the Person who should have for the future, the greatest number of Votes, should be duly elected. Waldo said, he was sensible of the honour done him by those gentlemen, that had voted for him; but that he wished to be excused. He was taken at his word, and Abbot 2d. was chosen. His modesty and diffidence were such that 83he earnestly requested to be excused; but with great difficulty was prevailed upon to accept. The second Collector for Logic, Metaphysics, Ethics, Theology, and Politics, was then Chosen. Fiske was the Person. The Mathematical Part fell to Adams, and the Physical to Johnstone. The choice of those was not so judicious as that of the others. Cranch and Abbot 1st would undoubtedly have been more proper Persons, but neither of them would probably have accepted, a second choice. The meeting at about 7 o'clock was adjourned till Monday evening, when we shall proceed to the Choice of an Orator. The Club then came, and drank tea at my Chamber. Fay was there, and entertained us with singing till 9 o'clock.

1.

Theses collectors prepared propositions, or arguments to be advanced and defended, in four branches of knowledge, basing them on subjects studied in the undergraduate curriculum. Hypothetically, if challenged, any senior was expected to defend these theses in Latin. The president, professors, and tutors chose from those submitted by the collectors a sufficient number suitable for publication on the theses sheet. For the 1787 sheet and JQA's mathematical theses, see the Descriptive List of Illustrations, Nos. 10 9 and 11 10 (Benjamin Homer Hall, A Collection of College Words and Customs, Cambridge, 1856, p. 458–459; entry for 8 May 1787, below).

27th. JQA

1786-08-27

27th. Adams, John Quincy
27th.

Mr. Hilliard preach'd in the morning from Philippians, IV. 11. Not that I speak in respect of want; for I have learned in whatsoever state I am, therewith to be content. And in the afternoon from Luke XIX. 8. And Zaccheus stood and said, unto the Lord; Behold, Lord, the half of my goods I give to the Poor; and if I have taken anything from any man by false accusation, I restore him four fold. They say Mr. H. has had his Corn stole from him lately, and that he preached this Sermon to perswade the thieves to return it.

I went after meeting to Williams Chamber, and remained there till almost prayer Time.

28th. JQA

1786-08-28

28th. Adams, John Quincy
28th.

We recite again to Mr. Read this week, but he did not attend in the afternoon because, we had a Lecture from Mr. Williams, at 3 o'clock. After Prayers the Class met by adjournment, and Fiske was chosen moderator. It was then resolved that if after the first ballot, there was not a majority for any one Person; the Class should the 2d. Time confine their Votes to the 3 Persons who 84should have the most votes. I supposed that the greatest contest would lay between Bridge and Little, but to my great surprise, the second ballot Was between Freeman, Little, and Waldo. The third was between Freeman, and Little, who finally carried it by a considerable majority. The Class then all went to his Chamber, but did not stay there more than an hour.

After tea we had a meeting of the A. B. Beale and Cushman were admitted. Fiske, gave us a very good Oration, upon Ambition, closing with a number of very pretty Poetical Lines. We came to several New Regulations. There were two or three Pieces read. I had written the following, which I forgot to carry with me, and was excused from reading till the next meeting.

A.B. N: 3—

Trifles light as air Are to the jealous Confirmation strong As proofs of holy writ.1

The Tragedy from which these lines are a Quotation, is such a complete History of the progress of Jealousy, that it would be the greatest presumption in me, to pretend saying anything new upon the subject. I shall therefore confine myself to a few remarks upon this play, which furnishes a more fruitful source than the trite and I may say worn out subject of Jealousy, which I suppose no person present is acquainted with, except merely by Speculation.

This Play is by many considered as the most perfect of all, that we owe to the immortal Shakespeare, and if we attend merely to the conduct of it, we may readily confess that few dramatic performances are better; but the very foundation upon which the whole fabric is erected appears injudicious, disgusting, and contrary to all probability.2 Who can believe that the Senate of Venice, would give the government of an island belonging to the State, to a moor, when it is known how constantly the Venitian nobility have always enjoy'd every employment in the State? And how tenacious they have ever been of this Prerogative? And is it natural that a young Lady so virtuous and Chaste as Desdemona is represented would as Brabantio expresses it, “Run from her guardage to the sooty Bosom of such a thing as him, to fear, not to delight.”3 In short I never could conceive what induced the Poet to take a negro for an example of Jealousy. But from this defect great 85Beauties are derived. In particular the speech of Othello to justify himself before the Senate “My Story being done She gave me for my pains a world of sighs, She swore in faith twas strange, twas passing strange Twas pitiful, twas wondrous pitiful. She wish'd she had not heard it; yet she wish'd That heaven had made her such a man. She thank'd me And bade me, if I had a friend that loved her, I should but teach him how to tell my Story And that would woo her. On this hint I spake, She loved me for the dangers I had past And I loved her that she did pity them.”4 This is to perfection, the artless, and rough, but winning eloquence of a Soldier.

The manner in which Iago raises the jealousy of Othello, at first by, obscure hints and insinuations, and afterwards by direct accusations shows the nicest acquaintance with human nature. I wish however to doubt, whether man be capable of the consummate villainy which is display'd in the character of Iago.

The Reasons which he gives for all his malice against Othello and Cassio is, that he suspects they have both intrigued with his wife, and moreover that Cassio was promoted before him. Jealousy, and disappointed Ambition, will easily prepare a man for committing crimes; but Iago appears to care very little for his Wife, and without love there cannot be much Jealousy. The other Circumstance, I do not think sufficient to induce a man to perpetrate such detestable deeds. For it may be considered as a maxim that no man does evil for evil's sake, nor will any one injure his fellow creature unless it be to gratify Interest or Passion. It is a fault too general with the writers of novels, Romances and Plays, that their characters are either too good or too bad. Nature deals not in extremes, and as the best man is he who has the least faults, so the worst, is he who has the least virtues. An author may indeed in drawing a good character, represent it more perfect, than is commonly found in real Life; because it may serve as a model for others to imitate; but to represent men worse than they really are, can be of no service, that I know, and, it is degrading human Nature.

It must however be confess'd that the character of Iago is abso-86lutely necessary in order to work up the mind of Othello to such a pitch of Jealous fury as leads him to murder his wife, and herein consist the chief Beauties of the Play. But besides these, there are detached beauties of Sentiment and expression as in all the Plays of this inimitable author.

There is an energy and force in these Lines “The tyrant custom Hath made the flinty, and steel couch of war My thrice driven bed of down.”5 There is a consummate hypocrisy in the following observation of Iago, which can escape the notice of no Sensible Reader “Who steals my purse, steals trash; ‘t'is something, nothing. T‘was mine! t'is his, and has been slave to thousands. But he that filches from me, my good name, Robs me of that, which not enriches him And makes me, poor indeed.”6 But to show all the excellencies of this Tragedy would almost be to transcribe it.

The Cloven foot was ascribed by the vulgar to the Devil, in Shakespeare's days as well as in our's, which appears from Othello's saying when he has full proof of his wife's innocence, and of the villainy of Iago. I look down tow'rds his feet; but that's a fable.7 The 13th. Scene of the second Act,8 may I think be recommended to the serious attention of every young man. We may perceive how much the author detested a Vice, (which at this day is too common) by his representing it as attended with the most fatal consequences.

1.

Othello, Act III, scene iii, lines 324–326. Editorial citations to Othello are from Shakespeare's Works, ed. Quiller-Couch and others.

2.

Despite JQA's lifelong interest in the theater, so amply demonstrated in these early years, his critical, indeed damning, views of Othello became hardened at this young age and persisted throughout his life. They were publicly ridiculed in 1835 in Fanny Kemble's Journal and were published in several articles the following year. For a detailed account, see CFA, Diary , 5:84–87.

3.

Act I, scene ii, lines 70–71.

4.

Act I, scene iii, lines 158–168.

5.

Act I, scene iii, lines 229–231.

6.

Act III, scene iii, lines 159–164.

7.

Act V, scene ii, line 288.

8.

From the context, JQA was most likely using the Warburton edition of Pope's The Works of Shakespear in Eight Volumes..., London, 1747, which divided Act II into 15 scenes. This was the edition 87 JQA had previously used for long quotations in his Diary while in Holland (entry for 9 June 1781, note 3, above); no copy of this edition exists, however, in the Adams' libraries. In the Quiller-Couch edition of Shakespeare, this scene is scene iii, lines 254–328 of Act II. The “Vice” JQA is referring to is “the devil drunkenness,” for which Cassio berates himself.