Graphics

The Society's collection of graphic material includes approximately 4,000 portrait prints and drawings, most of which are of 19th-century American and British notables, and roughly 220 silhouettes. There are approximately 2,000 prints, engravings, lithographs, drawings, and posters of historical events from the European discovery of America to the present, including a large collection of World War I recruiting and war loan posters. Other separate collections include bookplates, trade bills, and Civil War patriotic covers.

Notable pieces include Paul Revere’s engraving of the Boston Massacre; the earliest known American woodcut, a 1670 portrait of Richard Mather; and mezzotints of Native American leaders. There are two important prints by Peter Pelham, Cotton Mather and Plan of the City and Fortress of Louisbourg after Richard Gridley.

How to Find Graphics

Information about items in the graphics collection is largely limited to in-house databases and card catalogs, although records for World War I posters, silhouettes, and other selected graphics are available in ABIGAIL.  Contact the Reader Services staff for more information.

Upcoming Events

African American History Seminar; Online Event

Emancipation In America, Seen Through One Man's Dreadlocks

3Dec 5:15PM 2020
This is an online program

1864. A ship leaves its New England port carrying a USCT regiment to fight Confederates on the Louisiana front. But on the way, a showdown takes place when Pvt. John ...

Author Talk; Online Event

Bank Notes and Shinplasters: The Rage for Paper Money in the Early Republic

7Dec 5:30PM 2020
This is an online program

Before Civil War greenbacks and a national bank network established a uniform federal currency in the United States, loosely regulated banks saturated the early American ...

History of Women, Gender and Sexuality Seminar; Online Event

“To Make Her Own Bargains with Boats:” Gender, Labor, and Freedom in the Western Steamboat ...

8Dec 5:15PM 2020
This is an online program

Free and enslaved Black women have been rendered nearly invisible in the historical andpopular imagination of the antebellum steamboat world. This essay examines how ...

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