The wide lens of this talk will focus on recent restoration and interpretive efforts including Monticello's work spaces beneath the house, public rooms, and upper floors as well as Mulberry Row, the plantation's principal street. The discussion will also describe Monticello's free and enslaved community. Susan R. Stein is the longtime Richard Gilder Senior Curator and Vice President for Museum Programs.
Reservations requested. Please click on the ticket icon above, or contact the education department at 617-646-0560 / education@masshist.org.
When and why did The Federalist become The Federalist Papers? What role did the essays play in the ratification debates? Can Publius be considered an authoritative source for interpreting specific sections of the Constitution – or for discovering its inner meaning?
J.L. Bell will discuss the provenance, history, and people connected with one of the fascinating items featured in The Object of History exhibition: Ephraim Moors's powder horn. Carvings on the horn icnlude a crude drawing of the Continental Army encampment on Winter Hill, five grenadiers, a mansion house, and the head of a beast. Aside from what the carving itself says and the name of the sea captain who donated it to the Society, almost nothing else is known about this object. Bell will discuss his investigation into the object's details, and what they tell us about the Siege of Boston.
In the decades leading up to the Civil War, Boston became a center of the national antislavery movement, and in 1831 William Lloyd Garrison, "all on fire" for the cause, began publication of The Liberator, the country's leading abolitionist newspaper. There was strong resistance to the radical movement, however, not only in the slaveholding South, but among Northerners' as well. The exhibition features manuscripts, photographs, artifacts—including the imposing stone for The Liberator—and portraits related to the abolitionist movement in Boston.
In commemoration of the 150th anniversary of the signing of the Emancipation Proclamation on 1 January 1863, this exhibition features the pen Abraham Lincoln used to sign the document. Visitors can learn how the MHS acquired this extraordinary pen as well as view paintings, broadsides, engravings, and manuscripts that tell the story of how Boston celebrated Emancipation.
View documents and artifacts related to Abraham Lincoln. Featured items include Lincoln's letter to Joshua F. Speed explaining his evolving views on slavery as well as the casts of the life mask and hands of Lincoln made by Leonard Volk in the spring of 1860.