The Beehive: Official Blog of the Massachusetts Historical Society http://www.masshist.org/blog The official blog of the Massachusetts Historical Society, covering MHS events and activities. en-us Fri, 01 May 2009 00:00:00 GMT Thu, 02 Jul 2015 05:00:00 GMT http://www.masshist.org/blog/rss/feed2.0.rss egrublin@masshist.org (Elaine Grublin) webmaster@masshist.org Incendiary Fun: 19th Century Toys for Boston Youth http://www.masshist.org/blog/1244 <p>As the school year draws to a close and students across Boston slip leisurely into the summer heat, I was inspired to look at the MHS collections through a more playful lens. As difficult as it can be to piece together a historical narrative of adolescence, I wanted to see what we might have on the most playful of subjects: toys.<span style="font-size: 14px;"> </span></p> <p>I found disappointingly few children's artifacts or toys in the MHS collection. I did, however, find two items from the 19th century that brought a smile to my lips, and one or two questions to my mind.<span style="font-size: 14px;"> </span></p> <p>The first is a fascinating tease. An encasement for a toy dramatically named "Torpedo Balloons!". If the name itself fails to ignite your excitement, the picture on the cover surely will. Dating to 1897, the envelop features four adolescents excitedly, yet purportedly harmlessly igniting bits of paper with a well-timed flame. Similar to fireworks, the "Balloons" are advertised to attract the budding pyrotechnic, with safety-conscious parents.</p> <p><img style="display: block; margin-left: auto; margin-right: auto;" src="/imhs/cms/assets/cms1/ketorpedo_balloons.jpg" alt="" width="457" height="768" /><span style="font-size: 14px;"> </span></p> <p> <span style="font-size: 14px;">Directions: </span><em style="font-size: 14px;">Distend the paper cone, placing it on a smooth surface (table or desk), and light the upper edge. It will burn down and the ashes will ascend and explode in the air.</em></p> <p> <span style="font-size: 14px;">As the boy in the foreground lights a "Balloon" with a match, ashes explode over his head. His unsupervised peers appear to be playing in a well-decorated formal dining room, with delicate furniture, portraits hanging in the background, and gas light fixtures on the walls. While the flying embers may enrapture the children, the advertisement reassures parents that no harm will befall their expensive possession (if not their children).</span></p> <p><em style="font-size: 14px;">Absolutely harmless </em><span style="font-size: 14px;">[it reads]</span><em style="font-size: 14px;">. Will not ignite or injure table cloth, bank note, or any similar article upon which it may be placed for sport.</em></p> <p><span style="font-size: 14px;">Though the envelope has been preserved in almost pristine condition, I was disappointed to discover that it no longer contains even a single "Balloon".</span></p> <p><span style="font-size: 14px;">The second item I found is directed towards the girl we seen in the background of the "Torpedo Balloons!" cover image. </span><em style="font-size: 14px;">The American Toilet</em><span style="font-size: 14px;">, a small "conduct book" for young woman, uses emblematic illustrations to teach the reader moral precepts with regard to socially appropriate comportment and expectations.</span></p> <p><span style="font-size: 14px;"><img style="display: block; margin-left: auto; margin-right: auto;" src="/imhs/cms/assets/cms1/kecover_page.jpg" alt="" width="576" height="718" /></span></p> <p><span style="font-size: 14px;">Hannah and Mary Murry's </span><em style="font-size: 14px;">The American Toilet</em><span style="font-size: 14px;"> was adapted from Stacey Grimaldi's "The Toilet," first published in London in 1822, and includes delicate illustrations of the materials often found on a woman's dressing table. The book is an example of a flap book, referring to the bits of paper that can be lifted to reveal hidden messages throughout the pages.</span></p> <p><span style="font-size: 14px;"> <img src="/imhs/cms/assets/cms1/keuniversal_beautifier.jpg" alt="" width="262" height="337" /> <img src="/imhs/cms/assets/cms1/kegood_humor.jpg" alt="" width="252" height="338" /></span></p> <p>caption: <em>With this choice liquid gently touch the mouth. It spreads o'er all the face the charm of youth</em></p> <p><em style="font-size: 14px;">The</em><span style="font-size: 14px;"> </span><em style="font-size: 14px;">Toilet</em><span style="font-size: 14px;"> juxtaposes shallow desires for opulent jewelry and alluring, made-up lips, with attitudes of meekness and good charm. Girls were instructed at a young age that to be socially accepted and respected they must counter desires for beauty and glamour with overt modesty and unwavering deference. The work constantly reinforcing that girls should be seen and admired as implacably pleasant creatures, not engaged with as substantive individuals.</span></p> <p><span style="font-size: 14px;"> <img src="/imhs/cms/assets/cms1/kenecklace.jpg" alt="" width="253" height="334" /> and <img src="/imhs/cms/assets/cms1/kemeekness.jpg" alt="" width="251" height="335" /></span></p> <p>caption: <em>This ornament embellishes the fair, And leaches all the ills of life to bear</em></p> <p><span style="font-size: 14px;">As engaging as the "Torpedo Balloons!" and </span><em style="font-size: 14px;">The American</em><span style="font-size: 14px;"> </span><em style="font-size: 14px;">Toilet</em><span style="font-size: 14px;"> are, it is important to note that they represent a very narrow experience of well cared for, educated childhood within Boston's more affluent families. Just as adult narratives cannot be blindly generalized beyond class lines or economic boundaries; neither can children's experiences be taken as monochrome. It is doubtful that the idyllic image of children in well-tailored clothes that adorns the "Torpedo Balloons!" packet would be mirrored in homes of less-wealthy children.</span></p> <p><span style="font-size: 14px;">These are just a selection of our items at MHS pertaining to childhood; others include diaries and photographs that can expand our snapshot of youthful realities through personal writings, drawings, and images. If you are interested in viewing the "Torpedo Balloons," </span><em style="font-size: 14px;">The American Toilet</em><span style="font-size: 14px;">, or any of our other collections in person, please contact the library or stop by for a visit.</span></p> <p> </p> <p> </p> <p> </p> Thu, 02 Jul 2015 05:00:00 GMT Kittle Evenson, Reader Services http://www.masshist.org/blog/1244 This Week @ MHS http://www.masshist.org/blog/1236 <p>There are no events on the calendar this week at the Society. Please note that the library is closed on Friday, 3 July, though the exhibition galleries will remain open, 10:00AM-4:00PM. The MHS is closed on Saturday, 4 July. Normal hours resume on Monday, 6 July.</p> <p>Happy Independence Day!</p> Sun, 28 Jun 2015 04:00:00 GMT Dan Hinchen http://www.masshist.org/blog/1236 A Life in Bondage: The Narrative of Moses Grandy http://www.masshist.org/blog/1241 <p>Fielding reference questions at the MHS often means I come across fascinating material that I might not have the opportunity to discover for myself. One particular inquiry introduced me to Moses Grandy, an African-American born into slavery in about 1786 whose experiences during and after his bondage have fortunately been recorded for posterity. The <em>Narrative of the Life of Moses Grandy: formerly a slave in the United States of America</em> is a disturbing but truthful account of one man's suffering under forced servitude. Grandy's narrative provides a firsthand insight into the lives of the men and women who lived in captivity.</p> <p><img style="float: left; margin: 10px;" src="/imhs/cms/assets/cms1/grandytp.jpg" alt="" width="294" height="410" />The story of Grandy's life, written down by noted abolitionist George Thompson and first published in 1843, became popular with the abolitionist movement both in the United States and abroad. Grandy's story, like a number of other slave narratives including those of Frederick Douglass and Solomon Northrup, served to illustrate for a wide audience the cruelties of slavery and the outrages endured by those kept in bondage. Stories of this kind helped to spread the message of abolitionism far and wide in the decades prior to the American Civil War. </p> <p>Like many enslaved men and women, Grandy witnesses the break-up of his family when his siblings and father are sold away. He recounts how his mother at times would hide some of her children to prevent them from being sold, but several of his brothers and sisters would be sold away never to see him again. Grandy later witnesses the sale of his first wife. When he protests her sale to the man who has purchased her, he is threatened at gunpoint and forced to watch her go. As she is taken away, Grandy beseeches her new master to let him see her one last time. "I asked for leave to shake hands with her, which he refused, but said I might stand at a distance and talk with her. My heart was so full, that I could say very little." In addition to this heart-wrenching instance, Grandy describes in detail the atrocities endured by his fellow enslaved Americans, including beatings and malnourishment. Grandy himself states that he was often half-starved for lack of proper meals. </p> <p>Grandy's account also offers detail into some of the common practices of slaveholders and into the variety of responsibilities with which an enslaved individual may have been entrusted. The narrative is an important historical source for studying the practice of "hiring out" slaves to work temporarily for different masters. Moses is hired out by his master James Grandy at the age of ten. He describes in detail some of the horrific incidents he experienced in the employ of various individuals, ranging from brutal beatings to being fed so little that he was forced to eat ground cornhusks. One particular master who hires Grandy multiple times is described as a great gambler who would keep Grandy up for several nights in a row without sleep to wait on his gambling table. In one case, Grandy writes that he "was standing in the corner of the room, nodding for want of sleep, when he took up the shovel, and beat me with it: he dislocated my shoulder, and sprained my wrist, and broke the shovel over me." A number of frightful incidents like this are described or referred to in the narrative, sometimes with Grandy as the victim and other times with him as a witness to similar instances of brutality.</p> <p>However, Grandy also provides a valuable account of many of the tasks he performed at one time or another. Grandy's narrative provides a unique example of how enslaved men and women often became highly skilled laborers and artisans. Grandy himself is managing ferry crossings at Sawyer's Ferry in Camden, North Carolina by the age of fifteen. He is eventually hired as a freightboat captain for several boats which navigate and transport goods on the Great Dismal Swamp Canal and the Pasquatonk River. Grandy explains that he "took some boats on sharesI gave [the owner] one-half of all I received for freight: out of the other half, I had to victual and man the boats, and all over that expense was my own profit." </p> <p>Grandy works a wide variety of other jobs as well, including the cutting of timber for the canal and working as a field hand. Through these different tasks, Grandy is able to save up enough of his earnings to purchase his freedom. However, he twice gives the money for his freedom to his respective masters and twice they keep his money and refuse to free him. Ironically, it is one of the most brutal overseers described in his narrative who apparently expresses outrage over Grandy's treatment and who connects him with a man who is willing to buy Grandy and help him earn his freedom.</p> <p><em>The Narrative of the Life of Moses Grandy</em> can be read in its first American edition, published in Boston by Oliver Johnson in 1844, here in the MHS reading room. For those researchers who are unable to come to the MHS in person, Grandy's narrative<a style="font-size: 14px;" href="http://www.gutenberg.org/ebooks/15036" target="_blank"> can be read through Project Gutenberg</a><span style="font-size: 14px;">, a</span><span style="font-size: 14px;">s well as <a href="https://archive.org/search.php?query=moses%20grandy" target="_blank">through the Internet Archive</a>.</span></p> <p> </p> <p> </p> <p> </p> <p> </p> Sat, 27 Jun 2015 05:00:00 GMT Wesley Fiorentino, Reader Services http://www.masshist.org/blog/1241 Voices of the Exhibition: Bostonians at the Centennial http://www.masshist.org/blog/1230 <p class="Normal">One year ago, I embarked on my first major archival research project outside of the comfort of Hope College in Holland, Michigan, where I am an undergraduate student studying English literature, communication, and music. The first stop on my journey was at the Massachusetts Historical Society (MHS) to connect with my research advisor, Professor Natalie Dykstra, and an MHS archivist, Anna Clutterbuck-Cook, who is a Hope alumna.</p> <p class="Normal">My research project, titled "Voices of the Exhibition," is a series of four podcasts intended to bring the stories of different people who visited the Centennial Exhibition to life. The Centennial Exhibition of 1876 was a world's fair held in Philadelphia to commemorate the 100-year anniversary of the signing of the Declaration of Independence and was attended by 10 million people from around the globe, making it the highest attended world's fair at that time.</p> <p class="Normal">Many diaries and letters of Exhibition-goers have been catalogued at the MHS and other Boston archives. In searching through these archives, I found many interesting sources, but my favorite is the diary of Frank Dudley Chase, which currently resides in the collections at the MHS. </p> <p class="Normal">Frank Dudley Chase was 16 years old when he visited the Exhibition, and in elegant penmanship he dutifully recorded everything he encountered while at the fair. From the cost of his train ticket to elaborate descriptions of the exhibits, Chase left little about his journey out of his diary. </p> <p class="Normal">Chase was a typical teenage boy who loved being outdoors and did not always like to do his chores. He travelled from Dedham, Massachusetts to Philadelphia for the Exhibition and was at the Exhibition for five days from October 23 to October 28. From descriptions of ammunition to meticulously painted foreign vases, Chase's diary is a vivid record that provides a glimpse of what exhibits and oddities attracted youthful Exhibition visitors.</p> <p class="Normal">On Tuesday, October 24, Chase wrote:</p> <blockquote> <p class="Normal">Had a heavy rain last night in the night. Pleasant. Visited Main building. First went through U.S. dept. Near So. Entrance of building were a number of large fancy mirrors. Among these was a couple one concave; the other convex one showing an object unnaturally broad; the other unnaturally slim Also saw an immense crystal of alum, weighing 9 tons, a 365 bladed pocket knife, a table knife 9 ft 6 in costing $1500 the silk exhibit showing the eggs, butterflies, cocoons and raw silks In the Brazilian department saw precious stones among them white topaz, amethyst and agate; collections of beetles and butterflies; a leather exhibit and a porcupine fish</p> </blockquote> <p class="Normal">He and the rest of his group were undoubtedly eager to take in every facet of the Exhibition. However, his diary provides more than a meticulous record of daily weather and exhibits: it is a window into Chase's experience and the experiences of other teenagers who visited the Exhibition.</p> <p class="Normal">The Centennial Exhibition was a fair for the people. It was designed to bring together Americans to celebrate independence and express their patriotism. Furthermore, it provided an education tool that introduced Americans, like Chase, to cultures, inventions, and ideas that were brand new to them.</p> <p class="Normal">Before researching at the MHS, I was already able to recite many facts about the Exhibition. I would not call myself an expert in every detail, but I knew a lot. However, it was not until I read Chase's diary that I fully understood the impact of the Exhibition on the American people. On December 31, two months after visiting Philadelphia, Chase said it best when he wrote: "One great event distinguishes this year in my life, and that is my journey to the Centennial where I learnt more than I should have in many years of quiet life."</p> <p class="Normal">As I look back on the past year, I am still so thankful for the experience I had at the MHS. Not only did I find wonderful information in Chase's diary, but I read the diary of George W. Ely, a young man who visited the fair, official addresses to the Centennial committee, and letters from prominent Boston citizens, such as members of the Saltonstall family and their friends. </p> <p class="Normal">As an undergraduate student, I never thought that I would have the opportunity to do research at such a prestigious institution. I cannot express enough the importance of the MHS to my education and professional development.</p> <p class="Normal"><a href="https://soundcloud.com/hhancock94/children-at-the-exhibition-1" target="_blank">Listen to a podcast</a> that features Chase's diary, titled "Children at the Exhibition." It is the second podcast in the four-podcast series, all of which can be found on my website at <a href="http://www.hopehancock94.wordpress.com" target="_blank">hopehancock94.wordpress.com</a>.</p> <p class="Normal"> </p> <p class="Normal"> </p> <p class="Normal"> </p> <p> </p> Thu, 25 Jun 2015 05:00:00 GMT Hope Hancock, Hope College http://www.masshist.org/blog/1230 Fathers’ Day: Louisa Catherine Adams and Joshua Johnson http://www.masshist.org/blog/1239 <p>Fathers have a tremendous impact on the lives of their children; and this is quite evident in the case of the Adams family. While John Adams and John Quincy Adams clearly and significantly influenced their children, I want to highlight the relationship of Louisa Catherine Adams with her father, Joshua Johnson. This relationship not only shaped Louisa's upbringing, but indeed colored her entire life, and her relationship with the Adamses.</p> <p>Joshua had moved to London before the Revolutionary War to forward his business interests, and during the 1790s served as the U.S. consul at London. Marrying an English woman, and raising his children in France and England, led some to question his patriotism and Louisa's need to protect and defend her father's honor and reputation is evident throughout her writings. This need not only grew out of Joshua Johnson's long foreign residence but more especially because of her father's financial circumstances at the period when she married John Quincy Adams. Just as she and John Quincy were married, her father's business failed. Unable to provide the dowry he had promised and in debt, Joshua Johnson quickly took his family from London back to the United States to attempt to recover his losses. Louisa entered her marriage with the anxiety and shame that her husband and others would think that she and her father had conned John Quincy into marrying her with false promises; it was a sensitivity that never went away.</p> <p>But for Louisa, her father had been entirely blameless, and this belief she also carried throughout her life. Fortune was unkind. His partners had cheated him. In her Autobiography, "Adventures of a Nobody," Louisa reminisced:</p> <blockquote> <p>The qualities of the heart and of the mind, excited a higher aim; and a romantic idea of excellence, the model of which seemed practically to exist before my eyes, in the hourly exhibition of every virtue in my almost idolized Father; had produced an almost mad ambition to be like him; and though fortune has blasted his fair fame; and evil report has assailed his reputation; still while I live I will do honour to his name, and speak of his merit with the honoured love and respect which it deserved--; As long as he lived to protect them, his Children were virtuous and happy--;amidst poverty and persecution.</p> </blockquote> <p>Like many adults in times of sorrow or hardship, even at the age of 64, in her Diary in July 1839, she looked back with fondness and nostalgia for her childhood:</p> <blockquote> <p>My Father! my Dear my honoured my revered Father! In the hour of sickness, of sorrow, of disappointment; memory carries me back to the days of my youth; when on the slightest complaint, I met thy sympathising tenderness, anxious solicitude, and affectionate indulgence to suffering and weakness; and the soothing encouragement which braced the nerves to fortitude, and the spirit to courage! Where in this world is thy likeness to be found! Thou wert not great, but thou wert good!!!</p> </blockquote> <p>As we celebrate Fathers' Day, this is yet another reminder that the emotions and relationships, particularly those of parent and child, remain familiar across the centuries.</p> <p> </p> Wed, 24 Jun 2015 05:00:00 GMT Amanda Mathews Norton, Adams Papers http://www.masshist.org/blog/1239